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The assertion that "Hour of the Wolf" is Bergman's only horror film is preposterous. " The Seventh Seal " and " Persona " can be considered accomplished horror films, albeit intellectual exercises in the genre.
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Ernst Ingmar Bergman [a] (14 July 1918 - 30 July 2007) was a Swedish screenwriter and film and theatre director. Widely considered one of the greatest and most influential film directors of all time, [1] [2] [3] his films have been described as "profoundly personal meditations into the myriad struggles facing the psyche and the soul". [4]
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Still, Bergman's long-suffering 'wife', the theatre, was hardly neglected: somehow, Bergman also found time to direct more than 170 plays, both in his native Sweden and abroad. Add in the fact that many of his films feature small casts speaking at length in confined locations, and it's unsurprising that his cinema work is often.
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Port of Call (1948) Port of Call (1948) Roberto Rossellini's spirit pervades this gritty waterfront drama, which gave Bergman his first box-office success. It also marked his earliest collaboration with longtime cinematographer Gunnar Fischer and caused a stir abroad with its frank discussion of maternal cruelty, premarital sex and abortion.
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The Seventh Seal (1957) The most famous (and parodied) of all Bergman's films, The Seventh Seal focuses on Antonius Block (Max von Sydow), a knight returning from the Crusades. When Death (Bengt Ekerot) comes for him, Block challenges the reaper to a game of chess in the hope of gaining enough time to find some kind of meaning to his life.
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WILD STRAWBERRIES (Ingmar Bergman 1957) How A Cold Mother Stops Emotional Time & Sentences A Boy
Ingmar Bergman's 1966 masterpiece is probably one of the most powerful cinematic incursions into the fragmented human psyche. Despite the vastly differing sensibilities of the two filmmakers, Persona ranks right alongside Hiroshi Teshigahara's The Face of Another (which came out the same year) when it comes to artistic explorations of individual identity.
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4. Cries and Whispers (1972) Another product of Ingmar Bergman's dark vision of the human condition, this grim work is not just a film. It is an experience. Cries and Whispers propounds a brutal revelation, that humans are incapable of real relationships except on the most primitive level.
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Jane Magnusson's film, Bergman: A Year in a Life, follows her 2013 documentary, Trespassing Bergman, which saw renowned film-makers such as Martin Scorsese and Woody Allen appraise Bergman's work.
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Ingmar Bergman would have turned 100 on July 14, 2018. His final feature, Saraband, was released more than a decade ago, though he had decided to stop making films in 1982. Putting these dates side by side allows us to consider his body of work through the lens of time, posterity, and the history of cinema. You could ask what Bergman's work.
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Twilight of the Humans. S hame (1968) is one of the great neglected films from Ingmar Bergman's midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the Wolf (1968). These three films and The Passion of Anna, which.
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